Found 3007 Hypotheses across 301 Pages (0.007 seconds)
  1. "Tonal cohesiveness and tonal relaxation . . . [and] polyphony in female choruses rise in direct proportion to the degree of feminine involvement in subsistence labor" (167-168)Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  2. "Overlap [between singing chorus and leader] is especially marked at the middle levels [of subsistence] whereas . . . explicit solo maintains a steady increase across the [subsistence] scale" (159).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  3. "The incidence of orchestral unison and one beat orchestral rhythm decreases with complexity. . . . The two most complex forms of organization of orchestral rhythm, counterpoint and heterophony [are] strongly associated with complex modes of production" (138, 139).Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  4. "Vocal tension (narrow, nasal vocalizing) is far higher in non-complementary societies, where men perform all or most of the main subsistence tasks" (200)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  5. "Vocal tension (narrow, nasal vocalizing) is far higher in non-complementary societies, where men perform all or most of the main subsistence tasks" (200).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  6. Social complexity is positively associated with the following characteristics of song styles: wordiness, precision of articulation, explicitness, and narrow melodic intervals (128-137).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  7. "The five levels of performance style relate to [a] scale of increasingly complex governmental types in a remarkably stepwise way" (159-160).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  8. Interlocking, a maximally individualized and leaderless style [in which everyone present sings independently in melody, rhythm, and harmony] occurs most frequently among cultures dependent on collecting (156).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  9. ". . . as far as songs are concerned, there is a distinct [positive] relationship between [social complexity, and] explicitness, the number of consonantal distinctions used, and the location of these distinctions in the mid- and front-enunciatory regions" (146).Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  10. "Simple alternation [between singing chorus and leader] . . . almost always indicates the presence of at least one or two levels of extra-local political control" (158).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite